Kierkegaard ' s shadow and lu xun ' s view of ibsen 克爾凱郭爾之影與魯迅的易卜生觀
Ibsen wrote , " not all women are meant to be mothers . 易卜生寫(xiě)過(guò), “不是所有的女人都能當(dāng)母親”
The chinese scholar hu shi was a believer of ibsen ' s doctrine 胡適先生,是“易卜生主義”的大力提倡者。
We ' ii see some ibsen . if the repubiicans haven ' t outiawed him by now 我們要看一些易卜生的作品如果共和黨還沒(méi)有把他也列為非法的話
Henrik ibsen says , " it ' s your supreme duty to cast yourself into a useful implement . 易卜生說(shuō): "你的最大責(zé)任是把你這塊材料鑄造成器。
Ibsen was a foreign writer who had great influence on chinese literary drive in may - fourth movement in 1919 摘要易卜生是“五四”時(shí)期,對(duì)于中國(guó)的新文化運(yùn)動(dòng),產(chǎn)生了巨大影響的一位外國(guó)作家。
After dropping by the home of playwright henrik ibsen , we ' re off to a boisterous celebration of norwegian village life , complete with traditional costumes , dancing and potato pancakes 在偉大的劇作家亨利克?易卜生的故居稍作停留,去參加挪威喧囂的鄉(xiāng)村生活聚會(huì),穿著傳統(tǒng)服裝跳舞,嘗薯仔餅。
The heroines in a doll ' s house by henrik ibsen and regret for the past by luxun are both objectified by their respective environment , but they resort to different means of discourse 摘要《玩偶之家》和《傷逝》中的女主角娜拉和子君都被各自的環(huán)境所物化,但她們分別采用了言說(shuō)和沉默兩種不同的話語(yǔ)方式來(lái)表達(dá)自己。
Between this point and the high , at present unlit , warehouses of beresford place stephen thought to think of ibsen , associated with baird s , the stonecutter s , in his mind somehow in talbot place , first turning on the right , while the other , who was acting as his fidus achates , inhaled with internal satisfaction the smell of james rourke s city bakery , situated quite close to where they were , the very palatable odour indeed of our daily bread , of all commodities of the public the primary and most indispensable 這所坐落在塔博特街右手第一個(gè)拐角處的石匠貝爾德的作坊不知怎地引起了他的聯(lián)想4 。這時(shí),充當(dāng)斯蒂芬的忠實(shí)的阿卡帖斯5的另一位,懷著由衷的欣喜聞著近在咫尺的詹姆斯魯爾克都市面包房6的氣味,那是我們的日用糧7的芬香,確實(shí)可口,在公眾的日用商品中,它是頭等重要最不可缺少的。