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derek walker造句

例句與造句

  1. But it does have a little bit of everything, kind of like a musical mixed fruit salad . " At The Phantom Tollbooth, Derek Walker noted that " there may be little new here, but [ . . . ] colourful and powerful as ever ", and felt " this work is among Lee's best ."
  2. Giving the album a ten out of ten at Cross Rhythms, Stephen Luff writes, " This album is outstanding and can only further her success ! " Derek Walker, rating the album three and a half out of five from " The Phantom Tollbooth ", states, " With a generous fourteen songs and no real clunkers, this is worth investigating ."
  3. The whole albums feels like a journey . " New Release Tuesday's Kevin Davis said the album " is the kind of unique worship album I've only dreamed was possible and is an incredible ", and he wrote the album " is truly a memorable worship experience . " The Phantom Tollbooth's Derek Walker said " analyse it deeply and there is not that much new, but it is the original and authentic touches that make Rend Collective such a different experience.
  4. Indicating in a three and a half review from " The Phantom Tollbooth ", Derek Walker says, " Extremely well-executed praise music that pays tribute to a life that impacted many, and benefits orphanages around the world . " Andrew Funderburk, giving the album three and a half stars by CM Addict, states, " Despite what may seem like flaws in my eyes, this project sends out a deeper strain of beauty because of what The Reason stands for ."
  5. Derek Walker, signaling in a four out of five review for " The Phantom Tollbooth ", responds, " It may not quite reach the heights of the previous release, but " Fallen " shows great ambition for a band this far into its career . " Indicating in a four star review at Jesus Freak Hideout, Bert Gangl describes, " the presence of the last few songs does ultimately render " Fallen " marginally less impressive than " No More Hell to Pay " ."
  6. It's difficult to find derek walker in a sentence. 用derek walker造句挺難的
  7. Danny McMartin, rating the album an eight out of ten for Cross Rhythms, writes, "'Rhythms Of Grace'keeps the standards high . " Giving the album four stars from New Release Tuesday, Marcus Hathcock describes, " If you're looking for the passionate marriage of hymnlike choruses and artful arrangements, this is your band . " Derek Walker, indicating in a 3.5 out of five review by " The Phantom Tollbooth ", says, " If the band works on its lyrics, while retaining its emotional clout and irresistible melodies, The Remission Flow could connect with a lot of people ."
  8. At Jesus Freak Hideout, Alex " Tincan " Caldwell alluded to how the album's " ping-ponging sounds and styles " makes the release feel " jarring and confusing . " Also, Bert Gangl of Jesus Freak Hideout stated that the album " offers just enough top-drawer material to keep the most-devoted members of the existing fan base fully engaged . " At " CCM Magazine ", Grace S . Aspinwall felt that " Shane and Shane certainly bring more than " nothing " on this release, although the vast array of styles lends an identity crisis of sorts . " Derek Walker of The Phantom Tollbooth said that " this will doubtless please their longtime fans and win them respect from others ."
  9. Andy Argyrakis of " CCM Magazine " stated that " if Tim Timmons sounds like he's singing like his life depends on it, that's because he literally is ", and that " just because the singer / songrwriter spending the last 12 years battling an incurable cancer doesn't mean his spirit's been diminished in the least . " At Christian Music Zine, Joshua Andre told that " while Tim may not have mastered the up-tempo songs well in this track list, the ballads are where he shines as an artist . " The Phantom Tollbooth's Derek Walker said that " The music may have as much variety as his name, but this does have some better lyrical content than the average ."
  10. Giving the album a nine out of ten from Cross Rhythms, Rob Birtley states, " A highly original work . " Barry Westman, indicating in a four and a half star review for " Worship Leader ", says, " a superior album that steps into uncharted waters in many ways . . . " Vice & Virtue " takes Needham's R & B, soul-filled music to a new level, both musically and lyrically . . . Needham has a special knack for keen wordplay, which forces the listener to actually digest the lyrics carefully . " Rating the album a four out of five from " The Phantom Tollbooth ", Derek Walker recognizes, " Needham has only grown his reputation with this solid release ."
  11. But is a semblance enough ? " Sound of Heaven " says absolutely not . " Derek Walker, rating the album three and a half out of five for " The Phantom Tollbooth ", states, " Worship music does have a future after all . . . This one shows the way with colour, energy and soaring production . " Giving the album five stars from " Louder Than the Music ", describes, " Once you take away all the big sounds, the creative music, we are left with the most important aspect of any worship album, the lyrics . . . Tom hasn't just used the same old cliched lyrics and the same old melodies with the same old bridge section, Tom has written honestly yet poetically and passionately ."
  12. At Indie Vision Music, Michael Mayer III rated it four stars, and commented that the album was " the soundtrack for those storms everyone faces in their lives " on which " It sounds vast, full of life and hope, and every bit fitting to the theme it was created for . " Gar Saegar of The Phantom Tollbooth rated it four-and-a-half stars, and alluded to how the album was " probably their strongest and most consistent record . " The Phantom Tollbooth's Derek Walker rated it four stars, and commented that the album had " wider sonic palette " than " The Beautiful Letdown " but does not contain the " evenness " of it as well; however, the album " replaces it with a more mature, up-to-date and textured production, and a healthy dose of musical ambition ."
  13. At The Phantom Tollbooth, Bert Gangl proclaimed this to be " An absolutely brilliant artistic statement and arguably the band's most compelling offering to date, " Inland " has, at long last, equaled the quartet's landmark debut and taken its place as the new benchmark against which all of its successive efforts should be measured . " Derek Walker of The Phantom Tollbooth told that " Inland doesn't quite match the spacious beauty of their d閎ut or the synth-rich intricate layers of " The Long Fall Back to Earth ", both of which are 5-Tock [ five-star ] works, but it is a melody-fuelled work, rich in lyrical imagery, that succeeds both as an introduction to the band and as a satisfying addition to their canon for long-time fans . " Also, Scott Mertens of The Phantom Tollbooth felt that " The beauty of " Inland " is how the independent songs meld together to create story.
  14. Awarding the album four and a half stars at 365 Days of Inspiring Media, Jonathan Andre describes, " It is in spite of the long wait between albums where he has mined and dug and now uncovered 13 quality tracks-songs that are well worth the wait . " Jono Davies, giving the album four and a half stars from Louder Than the Music, writes, " Tim, as always, has produced a top quality album . " Rating the album a 4.5 out of five for Christian Music Review, Kelly Meade states, " As you listen to " Pocketful Of Faith " start to finish, you hear how each song fits together telling a story of trust, faith and putting them into motion, moving towards the purpose God has for your life . " Derek Walker, signaling in a three out of five review at " The Phantom Tollbooth ", says, " No one's expecting any surprises from Hughes and he gives a solid, if predictable, set of songs that focus on faith and obedience ."
  15. Laura Chambers of Christian Music Review declared that the release was " well worth a listen " because " " Cast My Cares " is a compelling call to give control to a God who we can trust completely, if we d only leap . " At Louder Than the Music, Jono Davies told that " this album is well worth exploring . " At Alpha Omega News, Rob Snyder told that " Tim Timmons is living the title of his debut CD . " However, Mark Rice of Jesus Freak Hideout wrote that " but in the vast majority of cases, the only real thing that sets this album apart from other artists within the AC / Worship niche is his vocals . " On the other hand, Rice concluded that " but overall, I do like what Timmons is trying to say, and I dearly hope that he can come to say it in a more memorable way in the near future . " At The Phantom Tollbooth, Derek Walker felt that " as " Cast My Cares " progresses, it doesn't develop and one song begins to sound just like several others.
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