例句與造句

1. He met with Rossetto and Metcalfe at their Berkeley offices last December, and Rossetto put Gillespie, Reason Publisher Mike Alissi and art director Barb Burch in touch with accomplished designers Erik Spiekermann and Susanna Dulkinys.
2. Erik Spiekermann, the designer of the Meta typeface, headed a redesign of " Reason " in 2001, aiming for a look that is " cleaner, more modern, making use of the Meta typeface throughout ".
3. At a 1994 meeting of the ATypI ( Association Typographique Internationale ) in San Francisco, Pool encountered Erik Spiekermann, who encouraged him to design a revival of DIN 1451 for release by FontFont, the type foundry Spiekermann had just established.
4. The typeface was displaced from some uses in the 1990s to the increased availability of other fonts on digital desktop publishing systems and criticism from type designers including Erik Spiekermann and Martin Majoor, both of whom have criticised the design for its omnipresence and overuse.
5. In its five-year run, featured speakers included Eric A . Meyer, Erik Spiekermann, Frank Chimero, Dan Cederholm, Jessica Hische, Robin Sloan, Jason Scott, and Scott McCloud, as well as musical performances from Tycho and Chipzel.
6. It's difficult to find erik spiekermann in a sentence. 用erik spiekermann造句挺難的
7. Consumerism is running uncontested; it must be challenged by other perspectives expressed, in part, through the visual languages and resources of design . " Both editions attracted signatures from practitioners and thinkers such as Rudy VanderLans, Erik Spiekermann, Ellen Lupton and Rick Poynor.
8. The " FontFont " library of fonts contains designs by 160 type designers, among them renowned designers such as Peter Bi >
   ak, Evert Bloemsma, Erik van Blokland, Neville Brody, Martin Majoor, Albert-Jan Pool, Hans Reichel, Just van Rossum, Fred Smeijers, and Erik Spiekermann.
9. Extremely legible at a distance or at small size, Frutiger became hugely influential on the development of future humanist sans-serif typefaces; font designer Erik Spiekermann described it as " the best general typeface ever " while Steve Matteson described it as " the best choice for legibility in pretty much any situation " at small text sizes.
10. Notable members are : Donald Jackson, Henrik Kubel, Zuzana Licko, Domenic Lippa, Bruno Maag, Abbott Miller, Debbie Millman, Jean Francois Porchez, Dan Rhatigan, Paula Scher, Hermann Schmidt, Bertram Schmidt-Friderichs, Paul Shaw, Erik Spiekermann, Sumner Stone, Jurek Wajdowicz, Craig Ward, Garson Yu and the late Adrian Frutiger and Hermann Zapf.
11. ""'Do Good Design : How Designers Can Change The World " "'is a book by Canadian designer David B . Berman, with a foreword by Erik Spiekermann, published by Peachpit Press in January 2009 . The book was co-published by AIGA, the world's largest-membership national design organization, as part of the AIGA Press / New Riders cooperation.
12. Before issue 19, publishers, editors, magazine dimensions and quality varied as the magazine evolved from a small format booklet that first appeared in 1979 . Early editors included Mike Daines ( " Baselines 1 3 " ), Tony Bisley ( " Baseline 4 " ), Geoffrey Lawrence ( " Baseline 5 " ) and Erik Spiekermann ( " Baselines 6, 7 " ).
13. Other contributors have included Nick Bell ( creative director from issues 27-57 ), Gavin Bryars, Anne Burdick, Brendan Dawes, Simon Esterson ( art director since issue 58 ), Malcolm Garrett, Anna Gerber, Jonathan Jones, Emily King, Ellen Lupton, Russell Mills, Quentin Newark, Tom Phillips, Robin Rimbaud, Stefan Sagmeister, Sue Steward, Erik Spiekermann, Teal Triggs, Val Williams and Judith Williamson.
更多例句：  上一頁