例句與造句

1. In the field of motion pictures, the many-layered type of color film normally called an " integral tripack " in broader contexts has long been known by the less tongue-twisting term " monopack ".
2. It was a solely-sourced product, too, as Eastman Kodak was legally prevented from marketing any color motion picture film products wider than 16mm, 35mm specifically, until the expiration of the so-called " Monopack Agreement " in 1950.
3. With the introduction of Eastmancolor low-fade positive print ( LPP ) films, properly stored ( at 45 癋 or 7 癈 and 25 percent relative humidity ) monopack color film is expected to last, with no fading, a comparative amount of time.
4. Introduced in 1954, it ran standard 35mm film through the camera horizontally to achieve a widescreen effect using greater negative area, in order to create a finer-grained four-perforation 35mm prints in an era where standard monopack stock could not produce finer results.
5. It appears that Technicolor made no attempt to register Monopack as a trademark with the US Patent and Trademark Office, although it certainly asserted that term as if it were a registered trademark, and it had the force of a legal agreement between it and Eastman Kodak to back up that assertion.
6. It's difficult to find monopack in a sentence. 用monopack造句挺難的
7. Essentially, the " Imbibition Agreement " lifted a portion of the " Monopack Agreement's " restrictions on Technicolor ( which prevented it from making motion picture products less than 35mm wide ) and somewhat related restrictions on Eastman Kodak ( which prevented it from experimenting and developing monopack products greater than 16mm wide ).
8. Essentially, the " Imbibition Agreement " lifted a portion of the " Monopack Agreement's " restrictions on Technicolor ( which prevented it from making motion picture products less than 35mm wide ) and somewhat related restrictions on Eastman Kodak ( which prevented it from experimenting and developing monopack products greater than 16mm wide ).
9. A late modification to the " Monopack Agreement ", the " Imbibition Agreement ", finally allowed Technicolor to economically manufacture 16mm dye-transfer prints as so-called " double-rank " 35 / 32mm prints ( two 16mm prints on a 35mm base that was originally perforated at the 16mm specification for both halves, and was later re-slit into two 16mm wide prints without the need for re-perforation ).
10. Technicolor Monopack, a 35mm version of Kodachrome Commercial ( itself a specialized 16mm low-contrast camera film intended for principal photography and not for direct projection ) later became the first single-strip three-color film suitable for professional applications ( when combined with Technicolor's proprietary dye-transfer printing process ) and Monopack was used on several complete productions ( and numerous second units ) until it was replaced by Eastmancolor negative film in the 1950s.
11. Technicolor Monopack, a 35mm version of Kodachrome Commercial ( itself a specialized 16mm low-contrast camera film intended for principal photography and not for direct projection ) later became the first single-strip three-color film suitable for professional applications ( when combined with Technicolor's proprietary dye-transfer printing process ) and Monopack was used on several complete productions ( and numerous second units ) until it was replaced by Eastmancolor negative film in the 1950s.
12. This, notwithstanding the facts that Technicolor never had the capability to manufacture sensitized motion picture films of any kind, nor single-strip color films based upon its so-called " Troland Patent " ( which patent Technicolor maintained covered all monopack-type films in general, but monopack-type motion picture films in particular, and which Eastman Kodak elected not to contest as Technicolor was then one of its largest customers, if not its largest customer ).
13. This, notwithstanding the facts that Technicolor never had the capability to manufacture sensitized motion picture films of any kind, nor single-strip color films based upon its so-called " Troland Patent " ( which patent Technicolor maintained covered all monopack-type films in general, but monopack-type motion picture films in particular, and which Eastman Kodak elected not to contest as Technicolor was then one of its largest customers, if not its largest customer ).
14. Bipack photography was, from about 1935 to 1950, the most economical means of 35 mm natural color cinematography available, used when color was wanted but the budget could not bear the much higher cost of three-strip Technicolor or the less well-known alternative three-color processes sometimes available outside the US . After 1950, when economical " monopack " color negative and print stocks such as Eastmancolor and Ansco Color were introduced, the use of bipack photography and printing rapidly declined.
15. Since monopack color film-( where materials for registering all the colors of the spectrum are contained on one film-it's opposite is bipack colour film where two films face each other and the lower spectrum reds and yellows are on one film and the higher spectrum greens and blues are on another film-see Technicolor three strip ) used in such processes as ECP and their successive revisions-contains photographically active color couplers which remain in the film after development, the emulsion will continue to produce chemical reactions in the image which cumulatively create a color fading, usually heavily biased towards the pink spectrum.
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