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tortoise shells造句

"tortoise shells"是什么意思   

例句與造句

  1. ogasawara crafts include items made from coral, tortoise shell and seashells; its mounted prawn and turtle specimens really lend a tropical tone
    小笠原有珊瑚和玳瑁以及貝類等的工藝雕刻、龍蝦和海龜?shù)膭兛棙吮镜裙に嚻罚兄鴿庵氐哪蠂檎{(diào)。
  2. yet in the inscriptions on bones or tortoise shells from yin dynasty ruins, " yi " existed, meaning the images in the tortoise shells and divination, which must have been the contents of yi
    黃帝之時尚無文字,即使有也不過只是簡單的符號,不大可能用以記錄長篇的語言。
  3. yet in the inscriptions on bones or tortoise shells from yin dynasty ruins, " yi " existed, meaning the images in the tortoise shells and divination, which must have been the contents of yi
    黃帝之時尚無文字,即使有也不過只是簡單的符號,不大可能用以記錄長篇的語言。
  4. examples of chinese export goods including silverware, lacquerware and carvings in ivory and tortoise shell are also displayed to illustrate items that were popular on the french market
    除畫作以外,展覽將同時展出中國外銷商品如銀器、漆器、象牙和玳瑁雕刻,反映中法藝術(shù)交流的各種面貌。
  5. the book, a complement to the great collection of the oracle inscriptions is a full-length collection of inscriptions on bones and tortoise shells compiled by the academic circle for the centennial discovery
    摘要《甲骨文合集補編》是學(xué)術(shù)界為了紀念甲骨文發(fā)現(xiàn)100周年而編纂的一部大型甲骨資料匯編。
  6. It's difficult to find tortoise shells in a sentence. 用tortoise shells造句挺難的
  7. the tortoise shells, the carrier of shang people's tortoise faith, are the fountainhead of " ya ( 亞 ) " forms by conjoining the form and culture meanings of " ya ( 亞 ) " with the tortoise-faith of the shang dynasty
    從“亞”形的外形特征與文化蘊含的角度并結(jié)合殷商的靈龜信仰來分析,商代人靈龜信仰載體的龜甲可以構(gòu)成“亞”形的源頭。
  8. he is often called, in the academic circles, one of the four important figures in “ the study of the inscriptions on bones or tortoise shells ”, and also “ the leading authority ” for the study of dividing animal bones and tortoise shells into periods
    董作賓的學(xué)術(shù)研究涉面極廣,學(xué)術(shù)界稱他為“甲骨四堂”之一和甲骨斷代學(xué)“泰斗”。
  9. he is often called, in the academic circles, one of the four important figures in “ the study of the inscriptions on bones or tortoise shells ”, and also “ the leading authority ” for the study of dividing animal bones and tortoise shells into periods
    董作賓的學(xué)術(shù)研究涉面極廣,學(xué)術(shù)界稱他為“甲骨四堂”之一和甲骨斷代學(xué)“泰斗”。
  10. this composite pipe has its shell constructed with metal with brackets by point welding u-shape tortoise shell network in the inner wall and stuffed with rare earth wearable materials making the pipe enjoy better anti-eroding and wear resistant capability
    本產(chǎn)品是以金屬為殼體,管內(nèi)壁點焊u型或工型龜甲網(wǎng)作為支架,龜甲網(wǎng)內(nèi)填充稀土耐磨材料的復(fù)合管道,具有更好的抗耐磨、抗沖刷性能。
  11. during their long history of development chinese characters have evolved and been written into many different artistic styles, including inscriptions on bones or tortoise shells and ancient bronze objects, the seal character, official script, regular script, running script and cursive script
    漢字在其漫長的發(fā)展史中演化成許多不同的藝術(shù)形式,其中包括甲骨銘文、青銅器銘文、篆書、隸書、楷書、行書和草書。
  12. 11 during their long history of development, chinese characters have evolved and been written in many different artistic styles, including inscriptions on bones or tortoise shells and ancient bronze objects, the seal character, official character, regular script, running script, and cursive script
    11漢字在其漫長的發(fā)展史中演化成許多不同的藝術(shù)形式,其中包括甲骨銘文、青銅器銘文、篆書、隸書、楷書、行書和草書。
  13. this composite pipe has its shell constructed with metal with brackets by point welding u-shape tortoise shell network in the inner wall and stuffed with nanometer wearable materials making the pipe enjoy better performance in high-temperature resistance, anti-eroding, acid resistance and wear
    本產(chǎn)品是以金屬為殼體,管內(nèi)壁點焊u型或工型龜甲網(wǎng)作為支架,龜甲網(wǎng)內(nèi)填充納米耐磨材料的復(fù)合管道,具有更好的耐高溫、抗沖刷、耐酸、耐磨損等特點。
  14. the article takes the yue people's divination recorded in the ancient books like history records etc . and the custom of divination handed down from their descendants-the zhuangs as the example, based on one symbol of the inscriptions on bones or tortoise shells of shang dynasty, and by comparison puts forward a new opinion that the numeral divination of changes came from the yue's divination
    摘要本文從甲骨文“特殊符號略”符號鍥入,以《史記》等古籍記載的“越人雞卜”及其后裔之一壯族至今仍在流傳使用的雞卦為例,通過對文獻記載、考古文物和民俗材料方面的比較研究,提出易經(jīng)數(shù)字卦源于先越雞卦的新觀點。
  15. introduce according to the relevant data, persian cat is in around 16 centurieses, from the himalayas cat and angola cat miscellaneous hand over, lift through several years to breed but grow purely . persian cat's figure is bigger, wering grown by the hair and thick and airtight, head circle big, the face is flat even, sum breadth the ear is small, circle the eye snub-nosed tone short breadth, the body feels round and smooth because the hair grows, the arms and legs is thick short soft, the tail is fluffy and bulky, giving person a kind of noblest felling . persian cat's pressing is canned is divided into a white, black, red by the hair color's dissimilarity, yellow, dark gray, blue, double color, tortoise shell color, miscellaneous color, tiger spot color etc . species . take species of the red as among them valuable
    根據(jù)有關(guān)資料介紹,波斯貓是在16世紀左右,由喜馬拉雅貓和安哥拉貓雜交,經(jīng)過多年的提純繁殖而培育出來的.波斯貓體形較大,被毛長而且厚密,頭圓大,臉扁平,額寬耳小,圓眼塌鼻口吻短寬,軀體因毛長而感覺渾圓,四肢粗短柔軟,尾蓬松粗大,給人一種雍容華貴的感覺.波斯貓按被毛顏色不同可分為白色,黑色,紅色,黃色,暗灰色,藍色,雙色,玳瑁色,雜色,虎斑色等品種.其中以紅色的品種尤為名貴.波斯貓外表美麗大方,叫聲細小甜美,性格溫和,膽大好奇,喜歡與人親近,善解人意,容易調(diào)教,是一種深受人們喜愛的高貴寵物.有關(guān)波斯貓的起源眾說紛紜,現(xiàn)較統(tǒng)一的說法是在阿富汗土著長毛貓的基礎(chǔ)上,同土耳其或亞美尼亞地區(qū)的安哥拉貓雜交培育而成。
  16. findings are : ( 1 ) written word, chirography's development process : ja-gu-wen ( inscriptions on bone or tortoise shells ) jin-wen ( bronze inscription ) zhuan shu li shu ( an ancient style of calligraphy ), ( 2 ) material flux's affection process : bone bronze jian du ( wood, bamboo ), silk book ( silk ), stele carving ( stone ) paper, ( 3 ) technology flux's affection process : carve model cast write, ( 4 ) written-word use for common people, ( 5 ) chirography's artistic change ( change to calligraphy ), ( 6 ) difference and valuation of occupation or interest ( writing craftspeople and calligrapher )
    研究結(jié)果如后述:(l)文字、書體的演變過程:甲骨文金文篆書隸書,(2)材料變遷的影響過程:甲骨青銅簡牘(木、竹)、帛書(絲)、碑刻(石)紙,(3)技術(shù)變遷的影響過程:契刻范鑄書寫,(4)文字使用的平民化,(5)書體的藝術(shù)化(書法化),(6)職業(yè)或興趣所形成的差異與評價(書匠與書法家)。
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