countersubjects造句
例句與造句
- This is the manner in which L黚eck almost always treats countersubjects.
- Short and simple countersubjects appear, and may change their form slightly during the course of the fugue.
- Each voice then responds with its own subject or answer, and further countersubjects or free counterpoint may be heard.
- Minor alterations to the subject between the entries are observed in some of the fugues, and simple countersubjects occur several times.
- Each work cited in this list will be annotated with the fugal subject ( s ) and any countersubjects in musical notation.
- It's difficult to find countersubjects in a sentence. 用countersubjects造句挺難的
- Several countersubjects add life and texture, gradually more instruments take part in the development on " for ever and ever ".
- The opening of the second quartet is essentially contrapuntal, with the viola and the second violins playing countersubjects to the cello's principal melodic line.
- The complex counterpoint of the seven parts, five voices and two violins, expands the theme of the chant, often in stretto function, and uses a variety of countersubjects.
- Kuhnau's preludes are almost always in two sections : a prelude and a fugue ( or a " fugato " section ), complete with countersubjects Kuhnau mentions in the preface.
- In the exposition, each voice plays its own adaptation of the theme, in either a subject or an answer; they also provide countersubjects ( counterpoints ) to the following voices as they enter.
- Following the huge scale of the opening, Bach highly inventively incorporates motifs from the " cantus firmus " into the countersubjects of the seven sections ( counting the repeat ), resulting in a constantly changing musical texture.
- Additionally, Fischer's E-flat major fugue and Bach's G minor fugue from Book 1 share a similar structure concerning the use of countersubjects; the subject of Bach's fugue is a slightly modified version of Fischer's.
- Other pieces in manuscript include two fantasias, one in the manner of Pachelbel and one with fugal design, a " Fuga " with two obbligato countersubjects, a passacaglia ( 16 variations ), a " Durezza ", a " Battaglia ", and other works.
- The fact that the setting in BWV 686 flows more easily, has more countersubjects, has more novel features and has typically organ figurations in the final section has suggested that in this case the whole of Luther's text was taken into account and that it is a purer version of the " stile antico ".