例句與造句

1. The csakan's repertoire has not yet been fully explored.
2. Modern recorder makers such as Bernhard Mollenhauer and Martin Wenner have made csakan copies.
3. Similarities in fingering and design make the csakan at least a close relative of the recorder.
4. Well known makers of the csakan included Johann Ziegler and Stephan Koch in Vienna, and Franz Sch鰈lnast in Pressburg.
5. Later that year, he also published the first music for the instrument, " Scala f黵 den Ungarischen Csakan ".
6. It's difficult to find csakan in a sentence. 用csakan造句挺難的
7. Around 400 works for the csakan were published in the first half of the 19th century, mainly for csakan solo, csakan duet or csakan with guitar or piano.
8. Around 400 works for the csakan were published in the first half of the 19th century, mainly for csakan solo, csakan duet or csakan with guitar or piano.
9. Around 400 works for the csakan were published in the first half of the 19th century, mainly for csakan solo, csakan duet or csakan with guitar or piano.
10. Around 400 works for the csakan were published in the first half of the 19th century, mainly for csakan solo, csakan duet or csakan with guitar or piano.
11. After the appearance of this " Scala ", around 400 more works for the csakan were published, including solos, duets, and pieces with piano or guitar accompaniment.
12. Notable composers for the instrument include Heberle and Kr鋒mer, and Tarasov notes that piano works by Beethoven were arranged for csakan and guitar ( Beethoven is reported to have owned a walking-stick csakan ).
13. Notable composers for the instrument include Heberle and Kr鋒mer, and Tarasov notes that piano works by Beethoven were arranged for csakan and guitar ( Beethoven is reported to have owned a walking-stick csakan ).
14. A type of duct flute, the csakan was originally crafted in the shape of a walking stick with a mouthpiece in the handle, reflecting the design of similar shepherds'flutes from Hungary, Slovakia and Croatia.
15. In the 1820s a csakan " in the pleasing shape of an oboe " was introduced in a " simple " form with a single key and a " complex " form with up to twelve keys like those found on contemporaneous flutes.
16. According to accounts left by Sch鰈lnast, the csakan was primarily an amateur instrument, purchased by those who wanted something simple and inexpensive, however there were also accomplished professionals, such as Viennese court oboist Ernst Kr鋒mer ( 1795 1837 ) who toured as far afield as Russia, playing the csakan with acclaimed virtuosity.
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