例句與造句

1. Gerle published three volumes of lute music through Hieronymus Formschneider, a Nuremberg publisher.
2. They were cut in wood by the accomplished Formschneider ( block cutter ) Hans L黷zelburger.
3. The Formschneider edition was reprinted with short introductory essays by Edward R . Lerner ( Peer : Alamire, 1990 1994 ).
4. There is no evidence that Formschneider was himself a musician, or that he had any deep understanding of what he was printing.
5. Also bearing Formschneider's imprint is the enormous " Choralis Constantinus ", which appeared in three volumes in 1550-55.
6. It's difficult to find formschneider in a sentence. 用formschneider造句挺難的
7. Like most artists in woodcut he only designed the woodcuts, leaving the block-cutting to a specialist " formschneider " ( sometimes Jost de Negker in his Augsburg period ) who pasted the design to the wood and chiselled the white areas away.
8. Gerhard P鋞zig, in his dissertation for the University of T黚ingen in 1956, compared available manuscripts with the Formschneider print and determined that the music written for the Constance cathedral was most of that contained in Volume II and parts of Volume III of the Formschneider publication.
9. Gerhard P鋞zig, in his dissertation for the University of T黚ingen in 1956, compared available manuscripts with the Formschneider print and determined that the music written for the Constance cathedral was most of that contained in Volume II and parts of Volume III of the Formschneider publication.
10. Although like most woodcut artists, he normally let a specialist " formschneider " cut the block to his drawing, he occasionally included both a cutter's knife and a quill pen in his signature on prints, suggesting he sometimes cut his own blocks.
11. Formschneider created a single-impression typeface for music, which he first used in 1534; in this he was only the second in Germany, being preceded by two years by Christian Egenolff of Frankfurt, who printed Petrus Tritonius's edition of " Odarum Horatii concentus " in 1532.
12. After Isaac's death in 1517 his pupil Ludwig Senfl, who had been a member of the Imperial chapel choir, compiled music composed for Constance and for the Habsburg Imperial court into the collection which was published by Hieronymus Formschneider in Nuremberg in three volumes ( 1550 1555 ) and titled the " Choralis Constantinus ".