hockney造句
例句與造句
- But hockney ' s theory would push the earliest date a quarter of a millennium earlier still
但霍克尼的理論把這種技術(shù)更往前推了250年有馀。 - Hockney ： all right , fuck the debt - and fuck you ! how do we know you work for soze
霍克內(nèi)：好吧，去他媽的償還，去你媽的！我們怎么知道你是在為索澤工作？ - According to hockney , the chandelier “ is in perfect perspective , ” as it would be if drawn under projection
據(jù)霍克尼的說法，這盞吊燈具有完美的透視，如果它是用投射法畫成的，也理當如此。 - Among the lost artworks were paintings by pablo picasso , david hockney ( ph ) and roy lichtenstein , photographs by cindy sherman
損失的藝術(shù)品中有畢加索、大衛(wèi)?霍克尼和李奇登斯坦的繪畫，辛迪、謝爾曼的攝影作品。 - My finding about the unlikely focal length of the putative projection mirror has a second implication , even more constraining to the hockney theory
既然設(shè)想中投射鏡的焦距不太可能實現(xiàn)，我的發(fā)現(xiàn)還延伸出第二個推論，更使霍克尼的理論受限。 - It's difficult to find hockney in a sentence. 用hockney造句挺難的
- Van eyck ' s portrait of giovanni arnolfini and his wife ( 1434 ) ? one of the earliest masterpieces in the northern renaissance ? is a key exhibit in hockney ' s theory
范艾克的阿諾菲尼的婚禮（ 1434 ，北歐文藝復(fù)興最早的杰作之一）在霍克尼的理論中居關(guān)鍵地位。 - Given the surviving records for all manner of other optical systems and mechanical drawing aids , the absence of evidence for the hockney projector is difficult to explain
其他光學系統(tǒng)與繪圖輔助工具的記錄，到今天都還留存了不少，為何唯獨缺乏霍克尼投影設(shè)備的證據(jù)，顯然很難解釋。 - It is hard to reconcile this requirement with the manifestly indirect indoor illumination in the arnolfini portrait and in many early renaissance paintings adduced as evidence by hockney
這就與霍克尼引證的阿諾菲尼肖像及諸多文藝復(fù)興早期繪畫不一致了，他們的照明顯然是室內(nèi)的間接光線。 - And so important are these optical instruments and techniques to his theory that hockney says the history of art from that time is intimately linked with the history of optics itself
由于光學設(shè)備和技術(shù)對他的理論來說至為重要，因此霍克尼認為，藝術(shù)史從那時起就已經(jīng)與光學的發(fā)展史息息相關(guān)。 - The artist would then either trace the contours of the image and apply paint or perhaps even paint directly under the image , although , as hockney acknowledges , painting under optical projections is extremely difficult
然后畫家可以描下影像的輪廓，之后再上色，或是甚至直接就著影像作畫；不過霍克尼本人也了解，在投射的影像上直接作畫其實非常困難。 - Hockney and falco explain this shift as follows : van eyck traced part of the image projected in an epidiascope , then accidentally bumped the silverpoint , the oil or the mirror , and finally traced the remaining , now shifted , image
霍克尼與法柯對此位移的解釋如下：范艾克用幻燈機描了部份的影像后，不小心碰到銀尖筆、油畫、或者鏡子，然后繼續(xù)描完剩下已經(jīng)位移的影像。 - Our perspective tests of several large , complex candelabras and chandeliers in the royal museums of art and history in brussels show all are significantly more symmetric than the hockney projection theory demands of the arnolfini chandelier
我們還測試了比利時布魯塞爾皇家藝術(shù)與歷史博物館內(nèi)，幾具大而復(fù)雜的枝狀大燭臺和吊燈，其對稱性都顯著比阿諾菲尼吊燈要高得多。 - For a number of historical and technical reasons , hockney envisions a camera obscura based not on a lens but on a concave mirror ( curved inward like a shaving or makeup mirror ) , which can also project an image onto a screen
由于歷史與技術(shù)上的若干理由，霍克尼推想出一種不采用透鏡、卻利用凹面鏡的暗箱（凹面鏡是一種內(nèi)凹的鏡子，比如刮胡子或化妝時用的鏡子） ，這種鏡子也可以把影像投射到屏幕上。 - Hockney surmises , however , that this convex mirror could be turned around and used as a concave projection mirror : “ if you were to reverse the silvering , and then turn it round , this would be all the optical equipment you would need for the meticulous and natural - looking detail in the picture
但霍克尼的猜測是，把這個凸面鏡前后反轉(zhuǎn)過來，便能當成可投射的凹面鏡來用：如果你把銀涂在凸面鏡的反面，并將它反轉(zhuǎn)過來，就變成能做出精細自然畫面的道具了。