例句與造句

1. Some claimed that this was blatant plagiarism but others say it was iterability.
2. Performativity cannot be understood outside of a process of iterability, a regularized and constrained repetition of norms.
3. Iterability is explicitly seen in texts, as opposed to presupposition, which refers to assumptions a text makes.
4. "' Iterability "'is the capability of a text to be reiterated and repeated in various contexts.
5. The candidate core model is not fully iterable ( iterability fails at Woodin cardinals ) or generically absolute, but otherwise behaves like K.
6. It's difficult to find iterability in a sentence. 用iterability造句挺難的
7. Searle agreed with Derrida's proposal that intentionality presupposes iterability, but did not apply the same concept of intentionality used by Derrida, being unable or unwilling to engage with the continental conceptual apparatus.
8. He insisted that Derrida's conception of " iterability " and its alleged " corrupting " effect on meaning stems from Derrida's ignorance of the type token distinction that exists in current linguistics and philosophy of language.
9. In critical theory, citationality sometimes refers to Jacques Derrida's notion of iterability from his essay " Signature Event Context ", where he argued that the essential feature of a signature was that it had a recognizable form and could be repeated.
10. This originary complexity must not be understood as an original " positing ", but more like a default of origin, which Derrida refers to as iterability, inscription, or textuality . Derrida ( 1971 ), Scarpetta interview, quote from pp . 77 8:
11. He argued that Austin had missed the fact that any speech event is framed by a " structure of absence " ( the words that are left unsaid due to contextual constraints ) and by " iterability " ( the constraints on what can be said, given by what has been said in the past ).
12. Iterability, in its endless " un " determinedness as to-be-determinedness, is thus precisely that aspect of performativity that makes the production of the " natural " sexed, gendered, heterosexual subject possible, while also and at the same time opening that subject up to the possibility of its incoherence and contestation.
13. This iterability implies that'performance'is not a singular'act'or event, but a ritualized production, a ritual reiterated under and through constraint, under and through the force of prohibition and taboo, with the threat of ostracism and even death controlling and compelling the shape of the production, but not, I will insist, determining it fully in advance.
14. These stylistic innovations are made possible by the iterability of speech, and are used to index elements of identity that often do not conform with the gender binary . power differences amongst the genders may lead to speakers adopting different speech styles that conform with their identities, or expected Gender performances ( e . g . adolescent males often use the term'fag'to police one another, which challenges their sexual orientation through gender performance, and reinforces the avoidance of the'abject'or femininity . )'Masculine'speech is associated with non-feminine sounding speech and because some gay men may not wish to identify with straight masculine speech in some contexts, they may access other speech styles to convey their identity ( because the possibilities have two options,'masculine'or'feminine,'to be not-' masculine'is often associated with'feminine').