例句與造句

1. Throughout the master's career his figures had Manneristic proportions.
2. The overall style of the building and its decoration is Manneristic.
3. Barry Gifford explores Elmore Leonard territory with the manneristic precision of Walter Pater.
4. It is also a potential symptom of schizophrenia, as a manifestation of manneristic speech.
5. Early drawing drafts and the fresco itself shows Ligorio s commitment to the Raphaelesque and Manneristic styles.
6. It's difficult to find manneristic in a sentence. 用manneristic造句挺難的
7. In the late 16th century, as the Renaissance era closes, an extremely manneristic style develops.
8. Arcimboldo, making a start from concetti, painted metaphorical and fantastic pictures, extremely typical for manneristic art.
9. In his " Chats on Japanese Prints " of 1915, Arthur Davison Ficke concurred that with Utamaro ukiyo-e entered a period of exaggerated, manneristic decadence.
10. Other features of their appearance were their long moustache, their bead chaplets ( ??????????, sing . ???????? ), and their idiosyncratic manneristic limp-walking ( ?????? ??????? ).
11. Yet at the same time, systematically and compositionally they occupy a fairly Manneristic realm, and in this I feel that they exist isolated from the reality of life . ""
12. I also used the life-control method for many years and followed Binswanger's ( 1911 ) theory, only to find it manneristic, too theoretical, relatively impractical, and ineffective.
13. Two of the other styles are described as " elegant . . . a little stereotyped and manneristic ", and of a " heavy, leisurely but nevertheless rich and lively style ", respectively.
14. The madrigals show the influence of the polyphonic, reserved, and avoid the manneristic and experimental style of some of the mid-century composers such as Cipriano de Rore also working in the Venetian orbit.
15. Almost all of the innovations which were to define the transition to the manneristic style of the Ferrara school, which migrated to Naples and elsewhere through the music of Carlo Gesualdo, was to be the final statement of the polyphonic vocal music of the Renaissance.
16. In " On Ugliness ", which was published under Umberto Eco's edition, Arcimboldo also admitted belonging to manneristic tradition for which " . . . the preference for aspiration to strange, extravagant and shapeless over expressional fine " is peculiar.
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