intangible adj. 1.觸摸不到的,無(wú)實(shí)體的,無(wú)形的。 2.不可捉摸的,難以確定的,模糊的。 intangible value 無(wú)形價(jià)值。 An intangible asset 無(wú)形財(cái)產(chǎn)。 Intangible ideas 難以明白的概念。 n. 無(wú)形的東西,不可捉摸的東西。 n. -bility ,-bly adv.
heritage n. 1.世襲財(cái)產(chǎn)。 2.(長(zhǎng)子)繼承權(quán)。 3.繼承物;遺產(chǎn);傳統(tǒng);文化遺產(chǎn)〔指有歷史意義或重大自然生態(tài)和考古價(jià)值的古建筑、遺跡或自然勝地等〕。 4.(猶太教圣經(jīng)中所說(shuō)的)上帝的選民。
cultural adj. 1.耕作的,開墾的,栽培[培養(yǎng)]的。 2.教養(yǎng)的,修習(xí)的。 3.文化的。 control 耕作防除。 cultural exchange 文化交流。 adv. -ly (a culturally advanced country 高度文明的國(guó)家)。
Depots which should be the centre of museums for research , scientific work and progress in developing ( new ) methods with respect to the care , use , preservation and enhancement of tangible and notably the oral and intangible cultural heritage are being reduced to a conglomerate storage 庫(kù)房本應(yīng)成為博物館研究和科學(xué)保護(hù)的中心,本應(yīng)當(dāng)注意應(yīng)用新技術(shù)保管、利用、保藏文物,以及強(qiáng)化混合文物庫(kù)房,以保持其有形、口傳及無(wú)形文化遺產(chǎn)的相互聯(lián)系。
The modern traveling activity promoted the intangible cultural heritage ’ s protection , but also had the negative influence to it , in order to correctly processes the relations between the protection and the development in the intangible cultural heritage ’ s traveling development , this article introduces the world inheritance protection authentic theory , proposed the solving measure ? ? the protective traveling developments , and has carried on the limits to its concept , according to the chinese ’ s present situation and the existence question , the article proposed the concrete measure on protective traveling development : persisting basic principle : the sustainable development principle , protecting the first principle and " humanist " principle ; must correctly process the relations between the traveling development and the protection ; the development inherits and the development ; the self - and the other people ' s ; in this foundation , the articles has constructed the main body cooperation pattern which is made by the government , the traveling enterprise , the local villagers and the scholar and so on ; proposed new mentality of the intangible cultural heritage ’ s protective development ? ? the nationality eco - tourism village , the 現(xiàn)代旅游活動(dòng)促進(jìn)了非物質(zhì)文化遺產(chǎn)的保護(hù),但同時(shí)也對(duì)其造成了負(fù)面影響,為了正確處理非物質(zhì)文化遺產(chǎn)旅游開發(fā)中保護(hù)與開發(fā)的關(guān)系,促進(jìn)兩者的長(zhǎng)足發(fā)展,本文引入世界遺產(chǎn)保護(hù)真實(shí)性理論,提出了解決兩者關(guān)系的措施? ?保護(hù)性旅游開發(fā),并對(duì)其概念進(jìn)行了界定,針對(duì)中國(guó)目前非物質(zhì)文化遺產(chǎn)的現(xiàn)狀與存在的問(wèn)題,提出了進(jìn)行保護(hù)性旅游開發(fā)的具體措施:應(yīng)堅(jiān)持的基本原則:可持續(xù)發(fā)展原則、保護(hù)第一的原則及“以人為本”的原則;要正確處理旅游開發(fā)中保護(hù)與開發(fā)、繼承與發(fā)展及自我與他人的關(guān)系;在此基礎(chǔ)上,構(gòu)建了由政府、旅游企業(yè)、當(dāng)?shù)卮迕窈蛯W(xué)者等四方力量搭建的保護(hù)性旅游開發(fā)主體合作模式;提出了非物質(zhì)文化遺產(chǎn)保護(hù)性開發(fā)的新思路? ?民族生態(tài)旅游村,對(duì)生態(tài)旅游村建立的理論依據(jù)、意義、構(gòu)建原則及內(nèi)容分別進(jìn)行了探討;最后提出了保護(hù)性旅游開發(fā)的其它具體措施:包括將非物質(zhì)文化遺產(chǎn)與物質(zhì)文化遺產(chǎn)開發(fā)有機(jī)結(jié)合、推動(dòng)非物質(zhì)文化遺產(chǎn)的產(chǎn)業(yè)化發(fā)展等等。
According to the international criterion , chinese intangible cultural heritages are classified as follows : performing arts , oral traditions and expressions , traditional craftsmanship , knowledge and practices concerning nature and the universe , social practices , rituals and festive events 我國(guó)少數(shù)民族的非物質(zhì)文化遺產(chǎn)按國(guó)際標(biāo)準(zhǔn)劃分為表演藝術(shù)、民間文學(xué)、傳統(tǒng)手工技藝、生活生產(chǎn)經(jīng)驗(yàn)、傳統(tǒng)節(jié)日和儀式活動(dòng)等五大類型,而我國(guó)文物局則根據(jù)我國(guó)傳統(tǒng)文化的特點(diǎn),將非物質(zhì)文化遺產(chǎn)劃分為十大類型。
Among them , the folk - song culture , as the representative sign of the zhuang people , proves to be an intangible cultural heritage which embodies the life emotion and poetic wisdom of the zhuang people from generation to generation , carries the long growth memory , and builds up the cultural link for the ethnic identity of the zhuang people 其中,作為標(biāo)志性和代表性的非物質(zhì)文化遺產(chǎn),歌詠文化凝聚了一代又一代壯族人的生命情感與詩(shī)性智慧,涵載著壯族成長(zhǎng)的悠悠記憶,建構(gòu)起壯族集體認(rèn)同的文化紐帶。
Nevertheless , with all the irreversibility of modernization , it is what we have to take into consideration how the traditional culture , particularly the national intangible cultural heritage , can be protected in that process , so that more diversified alternatives of culture can he available to our posterity 然而,正如現(xiàn)代化是一種不可阻擋的趨勢(shì)一樣,如何在現(xiàn)代化的過(guò)程中保護(hù)好傳統(tǒng)文化,保護(hù)好具有民族特色的非物質(zhì)文化遺產(chǎn),使子孫后代在文化的多樣性選擇時(shí)具有更多的余地,是我們必須加以考慮的。
By taking jiuzhou silk balls industry as a case of development , the author of this paper attempts to consider the links between intangible cultural inheritance and cultural capital , probe into the significance of the transformation and operation of capital in intangible cultural heritage , in the hope that the research findings can serve the sustainable growth for intangible cultural heritage protection practice 本文試圖以舊州繡球產(chǎn)業(yè)的發(fā)展為例,從中思考非物質(zhì)文化遺產(chǎn)與丈化資本之關(guān)聯(lián),并探討非物質(zhì)文化遺產(chǎn)資本轉(zhuǎn)換及運(yùn)作的意義,進(jìn)而希望能為非物質(zhì)文化遺產(chǎn)保護(hù)實(shí)踐的可持續(xù)發(fā)展服務(wù)。
The exhibition introduced the protection of intangible cultural heritage in the three gorges area and presented the practicality and video data on the protection of the cultural heritage as part of activities at the eighth china art festival now held in wuhan , capital of hubei province 當(dāng)日,作為第八屆中國(guó)藝術(shù)節(jié)主要群眾文藝系列展演活動(dòng)之一的“宜昌市非物質(zhì)文化遺產(chǎn)保護(hù)成果展”在湖北省宜昌市免費(fèi)開放,展出的各種實(shí)物和音像資料生動(dòng)展示了三峽地域各項(xiàng)非物質(zhì)文化遺產(chǎn)資源的保護(hù)與傳承狀況。
This paper is about the social orientation of library safeguarding the intangible cultural heritage . safeguarding intangible cultural heritage is one of the main responsibilities of library , but library is only a participant in the safeguarding of intangible cultural heritage . only the cooperation of libraries and all walks of life in our society can fulfill the task 文章探討了圖書館保護(hù)非物質(zhì)文化遺產(chǎn)的社會(huì)定位:保護(hù)非物質(zhì)文化遺產(chǎn)是圖書館的必然職責(zé),但同時(shí),圖書館在整個(gè)保護(hù)非物質(zhì)文化遺產(chǎn)管理體系中是參與者,必須通過(guò)跨行業(yè)及行業(yè)內(nèi)部的協(xié)調(diào)合作才能切實(shí)發(fā)揮其實(shí)際效用。
Intangible cultural heritage (ICH) is promoted by UNESCO as a counterpart to the World Heritage that focuses mainly on tangible aspects of culture. In 2001, UNESCO made a survey among States and NGOs to try to agree on a definition, and the Convention for the Safeguarding of Intangible Cultural Heritage was drafted in 2003 for its protection and promotion.