Although wang mo-lin has concerned little theatre, body culture, performing art, and avant-garde art for a long time, he is concerned as well as a sign of troublesomeness, heresy, rabidity, and clamor 摘要王墨林長期對小劇場、身體文化、表演藝術、前衛(wèi)藝術等議題的關注,但當藝文界人士談論起王氏時,總以難搞的、異端的、偏激的、大聲的、疾呼的將其刻板印象化、標簽符號化。