Analysis of li jianwu ' s literary criticism style 李健吾文學(xué)批評文體探析
Nowadays , a study of li ' s uniqueness is vital in the degrading of literary criticism 在批評文風(fēng)日下的今天,李健吾咀華批評的重要意義不言而喻。
During the period of 1938 to 1948 , in the tide of " poetry popularization " , some subtle and obvious changes occurred in li jian - wu ' s early " pure poem " criticism , which however , have not been taken into appropriate attention and consideration 摘要在1938 - 1948年“詩歌大眾化”的浪潮中,李健吾早期的“純詩”批評發(fā)生了一些或微妙或明顯的變化,這些變化卻一直沒有受到應(yīng)有的重視。
The thesis will probe into these changes in sense of connotation , implication , form and language , etc . of new poem , which in turn is of great importance to understanding of both the integrity of li jian - wu ' s poetry criticism and the different sorts of the criticism in the tide of " poetry popularization " 文章從新詩的內(nèi)涵、意蘊(yùn)、形式、語言等方面進(jìn)行了考察,此考察對于理解李健吾詩歌思想的完整性和“詩歌大眾化”浪潮中不同的批評具有重要意義。
The dialogue on connotative textual interpretation between li jianwu and bian zhilin not only made possible the coming into being of the form of dialogue in poetic interpretation , but also provided the avant - garde poets of the 1930s with practical paradigms and promises to come closer to their readers 李健吾與卞之琳等關(guān)于《魚目集》文本內(nèi)涵闡釋的“對話” ,不僅使“對話”形態(tài)的解詩學(xué)產(chǎn)生成為可能,也為20世紀(jì)30年代先鋒性探索詩人的作品如何走近讀者提供了某種進(jìn)入實(shí)踐軌道的范式和前景。